Additional photos of Q101 from the April 2002 issue.
Unique design elements and some custom fabrication personalize this Studio Spotlight.
Like so many other facets of the broadcast industry, the role of the contract engineer continues to evolve around technological advancement.
When WKQX, Chicago's Q101, looked at building a new facility, it didn't move very far.
After 38 years, the WCBS-AM studios were ready for a major upgrade.
Additional photos of Legend Communications of Wyoming, accompanying the Facility Showcase in the February 2002 issue of BE Radio magazine.
Welcome to the wide-open area that is home to the five stations that form the Big Horn Radio Network: KZMQ-FM, KZMQ-AM, KTAG-FM, KODI-AM and KCGL-FM.
The cold, quiet days of winter herald the season of another annual event: the facility checkup.
Long-form radio programming was once a staple part of radio entertainment. GAP Digital, a recording facility near Chicago, thrives on creating long-form radio dramas and talking books for radio.
The first step in achieving consolidated facility efficiency is to relocate all the radio stations owned by a single company to one central location. The primary design issue for any radio station is the organization of the programmatic elements in a way that promotes efficient operation. Addressing the station's needs from the beginning will avoid costly mistakes later.
About four years ago, the Indianapolis Colts management decided to bring all their advertising and marketing efforts in-house. Since that time, the need for advertising spots, promos and programming has grown in leaps and bounds.
When the Hard Rock Cafe in Toronto remodeled its facilities, a new element was added. The restaurant, which reopened on November 26, 2001, added a street-level radio studio as a regular part of its operation. CILQ-FM (Q107) now uses the studio weekday afternoons and early evenings and every Saturday evening for live broadcasts.
After nearly 20 years of working in radio, being involved in the design process of Westwood One's Washington, DC, studio facility was something of a departure from my experience. I learned that sound isolation, sound deadening and noise elimination are not necessarily a primary focus. In some cases, background noise can be a good thing.
A quality digital installation requires more than good equipment.
You have seen several large radio facilities in the pages of BE Radio, including those for Clear Channel Denver and Sirius Satellite Radio. When they were completed, those facilities were the largest radio facilities in existence in North America. As is usually the case, once a milestone is achieved, the challenge to exceed it is made.
With a ten-year history of bringing some of the best and brightest in classical music to the radio, National Public Radio's Performance Today boasts a listenership just under two million and a carriage list of over 250 stations. It is the most listened-to classical show on public radio and broadcasts two hours per day, seven days a week.
A $2 million renovation underway at WBAA AM/FM, Purdue University's NPR affiliate, will nearly double the size of the station's studios and offices in
New Century Media builds a functional new home with a view, but without unwanted sound.
The front lobby. The air studio. One production studio. The rack room. The hallway. The facility floor plan.
Eleven studios for six stations in three months? No problem.
The move to a digital facility involves a mix of traditional ideas and innovative methods. A facility sync generator is a necessity for most installations
Efficiency in facility consolidation Any facility construction project requires time and personnel to do the job right.
A big job a mile high Moving seven stations into a new facility is no small task. When Jacor decided to move KOA-AM, KHOW-AM, KTLK-AM, KHIH-FM, KRFX-FM,
While investigating a new transmitter building for WGCR, I found that the reinforced, welded rebar sort of construction I wanted for RF shielding was
See the studios of Unversal Studios Radio in Orlando before the 2002 remodeling.