It looks unusual, but the Blue Mouse is a real performer.
WHMS makes a mobile remote simple with GSM service and Comrex Matrix codec.
Studio furniture plays an important role in the operation of any studio. While this passive component of the studio design serves as the physical foundation for the equipment that will be used around it, it is sometimes barely given more than a casual thought as to its design and installation.
WSM, Nashville, wasn't looking for a new audio processor, but after trying the Omnia 4.5, the change is welcomed as this review explains.
New products from Andrew, Armstrong Transmitter, Audio Precision, Behringer, Belden, Bext, Burk Technology, Danagger Audio Works, Denon Electronics, Digigram, FirstCom Music, Furman Sound, Kramer Electronics, Logitek, Lynx Studio Technology, Nady Systems, Nagra, Network Pro Marketing/Digital Music, Power Standards Lab, Realtraps, Sonifex, Steinberg North America, Switchcraft, Tapco, Tascam, V-Soft, Visiosonic, Wheatstone, Wind River Broadcast and Yamaha.
The Otari DB-10 digital console features 10 input faders and a host of bells and whistles that make this console flexible.
Frequency response, power handling and output level capability are all important factors to consider when choosing a speaker. These specs can provide a general baseline for making a final selection, but the real test in the sound.
Digital audio workstations have proven to be a valuable part of any station's production equipment list.
The Aduio TX Multiplex application provides the ability to broadcast multiple audio channels over a LAN.
Altinex | Andrew | Audio Accessories | Behringer | Broadcast Devices | Broadcast Tools | Burli Software | Crown Audio | dcstools.com | Dialight | Dielectric | Eventide | Feelance Media Services | Henry | Kramer Electronics | Mackie | Maycom | Moseley Associates | Omnirax | Presonus Audio Electronics | Primera Technology | Rolls | Sony Pictures Digital Networks | SPL | Studer | Switchcraft | Towerswitch | Vestax | Whirlwind
Early solid-state audio spectrum instruments provided limited resolution, but the MSD100 offers a bright, easily read display of stereo separation and frequency dispersion.
Most digital equipment is woefuly lacking in its ability to display why it is unhappy. Luckily, the Digilyzer displays things such as lack of data compliance, bad cables or poor signal quality.
A product preview of NAB Radio from AEQ, ATI, Audemat-Aztec, Audioarts, Broadcast Electronics, Coaxial Dynamics, Comrex, Dalet, Enco Systems, ERI, Lakesoft, LEA International, Logitek, Marti, Mediatouch, Moseley, Musicam USA, Prophet, SAS and Tower Switch.
AES product preview from Active Power, AEA, AEQ, Amek, Aquila Broadcasting, Audioscience, Audio-Technica, Crest, Denon, Eventide, Furman, Gepco, Mackie, Marshall Electronics, MGE, Nagra, Presonus, Pulizzi, Rane, Sonifex, Sound Devices, Studio Network Solutions, Ultrasone, Wireworks
The AT3060 is a large-diaphragm, phantom-powered tube microphone, with shock-mounted, hand selected, tested and aged tubes.
The Behringer Ultramatch SRC2000 is a digital processor, format converter, signal corrector and a digital distribution panel. It can accept digital signals encoded in any of three formats: AES/EBU, S/PDIF and TOSLINK.
Part 1 of the Radio magazine annual Product Source issue. Look to the Product Source for a thorough rundown of new technology that meets the needs of radio today.
Part 2 of the Radio magazine annual Product Source issue. Look to the Product Source for a thorough rundown of new technology that meets the needs of radio today.
Part 3 of the Radio magazine annual Product Source issue. Look to the Product Source for a thorough rundown of new technology that meets the needs of radio today.
How do you find the gear you need? With more than 150 products, the 2003 Radio Product Source is a valuable reference tool for anyone looking for new technology and products for a radio station.
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