Orban's Optimod-PC 1100 isn't a conventional FM or AM final processor.
This interface facilitates making analog audio measurements with an oscilloscope.
New products from ATI, Bext, Carvin, CPI Eimac, Dalet Digital Media, DigiDesign, FSR, IVP New Media, Kroy, Media Specialty Resources, Neumann, Sadie and Yamaha.
Dead air is a program director's worst nightmare, and while no station is immune from it, this is easy insurance.
Select a mic for its overall sound and suitability, and avoid the tendency to settle for an old standard.
WHMS makes a mobile remote simple with GSM service and Comrex Matrix codec.
Studio furniture plays an important role in the operation of any studio. While this passive component of the studio design serves as the physical foundation for the equipment that will be used around it, it is sometimes barely given more than a casual thought as to its design and installation.
New products from ATI, Beyerdynamic, Blue Sky International, Dalet Digital Media, Dielectric, Dmarc Networks, DPA Microphones, Electronics Research, Eventide, Gefen, Inter-M Americas, Kenneke Communications, Mayah Communications, Media Specialty Resources, MGE UPS Systems, Nemal Electronics, Netia Digital Audio, Rolls, Scott Studios, Sennheiser Electronics, Shure, Silicon Valley Power Amplifiers, Sonifex, Steinberg, Tapco and Verity Systems.
What's old is new again with a series of Pro Tools effects plug-ins.
It looks unusual, but the Blue Mouse is a real performer.
New products from Andrew, Armstrong Transmitter, Audio Precision, Behringer, Belden, Bext, Burk Technology, Danagger Audio Works, Denon Electronics, Digigram, FirstCom Music, Furman Sound, Kramer Electronics, Logitek, Lynx Studio Technology, Nady Systems, Nagra, Network Pro Marketing/Digital Music, Power Standards Lab, Realtraps, Sonifex, Steinberg North America, Switchcraft, Tapco, Tascam, V-Soft, Visiosonic, Wheatstone, Wind River Broadcast and Yamaha.
The Otari DB-10 digital console features 10 input faders and a host of bells and whistles that make this console flexible.
Frequency response, power handling and output level capability are all important factors to consider when choosing a speaker. These specs can provide a general baseline for making a final selection, but the real test in the sound.
WSM, Nashville, wasn't looking for a new audio processor, but after trying the Omnia 4.5, the change is welcomed as this review explains.
Digital audio workstations have proven to be a valuable part of any station's production equipment list.
The Aduio TX Multiplex application provides the ability to broadcast multiple audio channels over a LAN.
Altinex | Andrew | Audio Accessories | Behringer | Broadcast Devices | Broadcast Tools | Burli Software | Crown Audio | dcstools.com | Dialight | Dielectric | Eventide | Feelance Media Services | Henry | Kramer Electronics | Mackie | Maycom | Moseley Associates | Omnirax | Presonus Audio Electronics | Primera Technology | Rolls | Sony Pictures Digital Networks | SPL | Studer | Switchcraft | Towerswitch | Vestax | Whirlwind
Early solid-state audio spectrum instruments provided limited resolution, but the MSD100 offers a bright, easily read display of stereo separation and frequency dispersion.
Most digital equipment is woefuly lacking in its ability to display why it is unhappy. Luckily, the Digilyzer displays things such as lack of data compliance, bad cables or poor signal quality.
AES product preview from Active Power, AEA, AEQ, Amek, Aquila Broadcasting, Audioscience, Audio-Technica, Crest, Denon, Eventide, Furman, Gepco, Mackie, Marshall Electronics, MGE, Nagra, Presonus, Pulizzi, Rane, Sonifex, Sound Devices, Studio Network Solutions, Ultrasone, Wireworks
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