The Cox stations in Tampa, FL, look to the future but keep a firm footing in the present.
Clear Channel Chicago answers the call to the Telos Series 2101.
Critical recording requires critical monitoring; a perfect job for the Benchmark Media DAC1.
The AudioTX Communicator is a software-based codec that runs on any Windows PC.
Going on the road with the Motor Racing Network is unlike any other radio remote. This vehicle is unlike any truck you've ever seen.
After several years of common ownership before Cumulus Broadcasting acquired the group, these stations have finally completed their facility upgrade.
The Patriot from Tieline Technology delivers bi-directional 15kHz mono audio over a standard phone line using its special codec and a custom-made modem to provide solid performance.
Remembering the Fostex D-10, a look back at the Ottawa DAB tests of 1994 and trends in radio listening.
Mic processing and EQ are commonplace at radio stations, but the right mic makes all the difference.
The HD 280 Pro is a closed-back, circumaural design with neodymium drivers and an 8Hz to 25kHz frequency response.
The term codec is now widely used in circles well beyond radio and broadcasting. The ISDN codec changed the way radio stations held remote broadcasts.
An explanation of the various terms used for ISDN codecs.
Having an edge on the competition can make a difference. One important element in achieving that edge is delivering the highest quality product possible to a station's listeners.
This call screener program can be networked and works with Telos and Comrex telephone systems.
The PR&E ADX, IBOC at NAB1994 and radio listening habits.
Subband Adaptive Differential Pulse Code Modulation is a non-perceptual method for reducing the bit rate of linear pulse code modulation encoded audio in real time. There are three commercial equipment options are available when adopting this method of compression.
With ISDN phone lines becoming commonplace just about anywhere in the world, broadcasters have come to rely on them to deliver high-quality audio from remote locations and events back to their studio.
When Cumulus began building a new facility for its stations in Houston, the primary design goal was that versatility and reliability would be emphasized on the studio end of the project.
Three radio stations in Detroit moved into new facilities in 2000, all with unique circumstances: more than 40 workstations, linear-stereo storage for all stations, dual-touch screens in all control rooms and enough redundancy so that we would never go off the air.
The audio console serves as the central control point for all audio passing through the radio station, and depending on the station's needs, it may be a simple device with only a few controls or a mammoth console with enough controls to make any techno-geek happy.
Cumulus is currently in the midst of an expansion, and we look inside some of the group's recent projects.
What is covered by the latest changes to EAS? The simple answer is a time extension and new event codes, but what does this mean?
Why buy new when the existing equipment still works fine? Keep some of that vintage equipment running right.
A look back at the Philips DCC, an increase in high-speed Internet access, and 10 Years of Radio looks back at the IBOC tests of 1994.
Sierra Automated Systems - Riolink | AEQ - Swing and Eagle | ATI - AMM200
Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | Next