Vermont Public Radio has increased its demand on condenser mics, as outlined in this review.
While it takes several elements to make a production studio an effective workspace, the centerpiece of most studios is the digital audio workstation.
Feeding a network of 16 English-language stations in California, Nevada and New Mexico with a remote broadcast almost every other night during the basketball season, KLAC has honed its process.
What do you do while listening to the radio?
At closer inspection, the Profiler could replace the dreaded open-reel logger. Mike Kernen shares his review.
An early effort at creating a digital audio cassette format; the 1960 Democratic National Convention; and radio station acquisitions of 2003.
Recording audio outside the studio presents several challenges to the radio station. The ability to make a high-quality recording is not so difficult, given the broad range of portable choices to capture recorded sound.
After spending 15 years high atop Frog's Mountain, Clear Channel has successfully consolidated four AM stations, two FM stations, five radio networks, 250 personnel -- including 75 on-air and engineering staff -- under one roof.
This month Radio magazine highlights some of the less-obvious but no-less-important devices that serve essential functions.
Tim Wright reviews the Vadis DCII system.
Richard Hamilton reviews this phone/audio interface he uses to create an Internet talk show on trains.
There were several obstacles for Radio One to overcome when it decided to build a radio station in a mall.
Read about a solar-powered station from 1979.
WLIU reviews the audio codec for its remote needs.
WBHF-AM fixes some post-move challenges, as this review outlines.
The microphone is the first element in the broadcast chain.
Doug Irwin reviews the DSP-based on-air radio processors.
Do you remember? In 1981 Applied Technology offered two audio processors with digital control capabilities. The Maximod digital peak limiter used a digital
Mike Rogers reviews the Omnia-6EX on-air radio audio processor.
The term codec describes the function of encoding and decoding audio to pass through a defined data path. In radio, this term carries a more specific
Find out who won our annual Find the Mic Sweepstakes.
Remembering an EBS incident.
Orban's Optimod-PC 1100 isn't a conventional FM or AM final processor.
The audio console not only sits at the focal point in any studio, it serves a valuable function and is a long-term commitment.
Audio self-expression can be found in Adobe's multi-track editing program.
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