After spending 15 years high atop Frog's Mountain, Clear Channel has successfully consolidated four AM stations, two FM stations, five radio networks, 250 personnel -- including 75 on-air and engineering staff -- under one roof.
This month Radio magazine highlights some of the less-obvious but no-less-important devices that serve essential functions.
Tim Wright reviews the Vadis DCII system.
Richard Hamilton reviews this phone/audio interface he uses to create an Internet talk show on trains.
There were several obstacles for Radio One to overcome when it decided to build a radio station in a mall.
Read about a solar-powered station from 1979.
WLIU reviews the audio codec for its remote needs.
WBHF-AM fixes some post-move challenges, as this review outlines.
The microphone is the first element in the broadcast chain.
Doug Irwin reviews the DSP-based on-air radio processors.
Do you remember? In 1981 Applied Technology offered two audio processors with digital control capabilities. The Maximod digital peak limiter used a digital
Mike Rogers reviews the Omnia-6EX on-air radio audio processor.
The term codec describes the function of encoding and decoding audio to pass through a defined data path. In radio, this term carries a more specific
Find out who won our annual Find the Mic Sweepstakes.
Remembering an EBS incident.
Orban's Optimod-PC 1100 isn't a conventional FM or AM final processor.
The audio console not only sits at the focal point in any studio, it serves a valuable function and is a long-term commitment.
Audio self-expression can be found in Adobe's multi-track editing program.
Select a mic for its overall sound and suitability, and avoid the tendency to settle for an old standard.
Dead air is a program director's worst nightmare, and while no station is immune from it, this is easy insurance.
A 44-year old console, a cassette deck with hopes of greatness and a look at consumer music spending habits.
Step inside the all-digital facility of Clear Channel Chicago.
WHMS makes a mobile remote simple with GSM service and Comrex Matrix codec.
What's old is new again with a series of Pro Tools effects plug-ins.
It looks unusual, but the Blue Mouse is a real performer.
Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | Next