Audio processing at NAB2001
The most critical focal point in a radio studio is the audio console.
When NPR planned its coverage of the Presidential inauguration in January 2001, the details of the election itself were the top headlines.
Incrementally or all at once, the transition is coming. How digital is your facility?
The Internet is based on a layered protocol model. Each layer provides specific services and has particular responsibilities. The Internet protocol, or
Wouldn't it be nice to send a recorder into the field that never came back to the shop for repair? Most field recorders rely on mechanical transports
The Sonifex Courier is a portable hard disk-based recorder. Alan Van Zelfden reviews it.
Remote broadcasts for radio stations have always been challenging.
John Diamantis takes the POTS codec for a spin in this review.
Leaving the comforts of the studio allows radio to shine in the limelight. Audio quality is important, but so is the physical presence of the station.
Condensors are popular, but dynamic mics are still a viablle choice.
Condenser microphones require a power source to operate. Sometimes, this power can be provided internally with a battery, but an external supply is more common.
The satcaster installs telephone interfaces and audio processing.
Two-channel microphone preamplifier
Salem Los Angeles taps Symetrix for mic processing needs.
The technology has matured so that it is economically sensible to install a digital console - and also take a step toward the future.When you enter an
For maximum flexibility, the current state of creative audio art has drawn on tools from radio stations, recording facilities and project studios.
Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45