The event will be held Sunday at the NAB Show.
Bric Remote Control software controls multiple Access and BRIC-Link codecs from a simple Windows-based interface. It allows creation of an address book that can be shared among a list of codecs.
Analog audio was simple. It could be transmitted easily and heard with anything. Digital audio complicate things, but standards help. Now we have IP audio. Is this the replacement for AES3?
Learning how to use IP codecs takes a little time and may require some patience on your part. Using IP codecs for remotes can provide some excellent results.
The workshops are timed around major conventions.
The IP codec includes eight stereo MPEG codecs.
Tieline says the move to leading with IP instead of POTS and ISDN as it has done for years is more in line with broadcaster buying trends and the IP network infrastructure evolution.
The testing was conducted in the greater Boston area with Xohm hardware supplied by Sprint Nextel.
Sporting many of the same features as the larger Road Warrior, the LC transmits and receives standard encoding algorithms and connects via IP, ISDN or LAN.
32 Avenue of the Americas is home to one of several large Carrier Hotels in New York City, and as such was an advantageous location for our endeavor.
During the 2008 IBC Show, Digigram demonstrated codec interoperability with products from AEQ, Aeta and Digigram.
IP University, presented by Ken Skok of Axia Audio, discusses the details of IP audio networks in for planning and implementation in a radio station
A connection established through an IP tunnel is similar to plugging a PC into the network connection at the station. IP tunnels can operate through any type of wired or wireless network.
Broadcasting over IP is rapidly becoming the paradigm by which broadcasters are planning future broadcast network infrastructures.
Codecs manufactured by members of the Audio-via-IP Experts Group -- AETA, Mayah, Oban/CRL and Tieline -- are SIP compliant. This article details the handshaking communication to establish a reliable connection.
Our system has been very reliable and versatile. It is easy to troubleshoot and quick to reconfigure for special needs. Upon launching the first station to air, we noticed an immediate extension in frequency response on both low and high end as well as an improvement in depth and clarity, with the same audio chain we had been using before
The Tieline G3 codecs use the technology to provide greater connection stability with less delay for remote broadcasts over IP networks.
In the January Trends in Technology I discussed the difference between TDM and IP in the context of a station's STL system. I asserted that with a LAN
Axia Audio has teamed with Broadcasters General Store and Radio Systems to bring a free Livewire University workshop to Philadelphia on Feb. 15, 2008.
Axia Audio's IP University, which debuted at the 2007 NAB Radio Show, is designed specifically for broadcast engineers who want to familiarize themselves with IP audio networks.
French broadcast integrator and playout system provider Adeuxi Activity and its newly-inaugurated IP-Studio integration division are the newest additions to Axia Audio’s list of international partners.
A station's studio to transmitter link (STL) is an integral part of its mission-critical transmission system, linking the site that generates the program material to the transmitter location itself. As such, the quality and reliability of STL equipment has always been of paramount importance. One critical aspect of an STL system has historically been lack of contention in its use.
Codec manufacturer Tieline Technology has joined the Audio-via-IP Experts Group as a technology provider advising on the interoperability of audio codecs when broadcasting over IP.
Axia Audio has released version 126.96.36.199 of its IP audio driver for Windows.
Broadcasters who want to discuss and learn more about IP-Audio can now visit the Axia online IP-Audio Forum