The Zed 4-Bus series includes the Zed-420, Zed-428 and Zed-436 mixers
The stereo mixer features multiple inputs, 10 independent outputs, four aux sends, a USB send and return, a dual stereo input capability and advanced monitoring facilities.
The big differences with the 1642-VLZ3 are the mic preamps and the EQ sections on the console. Mackie totally redesigned the mic preamps for this line.
The small- and medium-market Dynamax console line has found a new owner: Sandies. Dave Strode, who has worked with the Dynamax console line for many years, is the new owner and manufacturer.
The Studio Drive's built-in mic preamp had plenty of gain, low apparent noise and no audible headroom issues.
Adding rooms and extra parking spaces to an existing building doesn't always work, as Entercom Kansas City found out. Deciding to make the move was only one part of the process.
Klotz Digital has sold its 1,000th Vadis D.C.II console to National Public Radio (NPR). The 1,000th console is part of an NPR project to expand its New York City bureau.
Do most stations lose listeners during radio commercial breaks? The reality may surprise you.
This national, progressive-entertainment, talk radio network--known for its outspoken personalities--launched in March 2004. There's a lot going on in this facility, and thanks to digital routing, Air America Radio maintains complete control
McRadio that is produced in look-alike radio factories seems to be the norm. Lincoln Financial Group wanted to emphasize what it thinks is not only a unique feel-good experience for listeners and employees, but also a competitive advantage
Stations with one control room or modest means can still use the analog consoles, but the possibilities offered by digital make it attractive to stations that want to build an integrated audio system.
This station group recently relocated to a new facility in Latham, NY, bringing all seven stations under the same roof with the idea that merging all technical and business elements results in a smoother, more efficient operation for the entire group.
While most control consoles can't do anything about bizarre programming and cappuccino spills, there is a console that's easy to operate and accommodating to green broadcasters.
Proving that it's never too early to start planning, Westwood One began planning for the 2006 Winter Olympics coverage during the 2004 Summer Olympics in Athens.
When Minnesota Public Radio first considered expanding its building, it didn't take long to realize there were new technologies to use and improved construction plans to implement. With this came the rare chance to revamp the technical operation.
Ten years and more than 150 affiliates later, we look at the next generation Bob and Tom Show studio. It's brand new and immense, but no one has the guts to say it will be big enough.
Built to be rugged, the Mosaic provides a traditional console look to the flexibility of control from the Logitek Audio Engine.
Cumulus' new nine-studio location was to be built in four months. While this sounds like a reasonable amount of time, it's important to know that the building itself would not be built for another month.
Custom-built consoles were once the norm.
This modular audio control surface has a low profile and functions with three major components: the control surface, an electronics frame and a power supply.
After 79 years on the 23rd floor of its Times Square location, it was time for WOR to move its operations.
Once a tool for the privileged few, digital consoles have grown in popularity and in available choices, while the cost of these consoles has continued to fall.
In most cases, the plans are set and followed with minor variations because of challenges. In the case of Journal’s Omaha stations, just finalizing the plan was the challenge.
February marks the 80th birthday of WTIC in Hartford, CT.
Radiovisa in Los Angeles has installed a consolidated router and console system from SAS. The system reduces the cabling needs as well as the in-studio equipment needs for the stations.