National Recording Preservation Foundation Receives Donation, Becomes Operational
Jul 30, 2013 2:00 PM
Washington, DC - Jul 29, 2013 - The National Recording Preservation Foundation (NRPF) received a major contribution of $200,000 from musician and NRPF board member Jack White.
NRPF Executive Director Gerald Seligman says, "It is our first [donation] and therefore provides the welcome opportunity to go from talk about the needs and priorities of audio preservation to concerted action. With this contribution we can now put up our basic structure, begin enacting the preservation plan - and give out our first grants. We're committed to doing that right away, and certainly within the coming months."
"Mr. White's contribution to the Recording Foundation comes at an opportune time," says Sam Brylawski, the Chairman of the National Recording Preservation Board, an affiliated project created by Congress in the same National Recording Preservation Act of 2000 that authorized the NRPF. "With its national plan, the Library of Congress has laid the groundwork for the long-term preservation of our audio history but the challenges to achieving this at a significant scale are daunting. I hope that Mr. White's extraordinarily generous donation inspires many others, especially those in the recording business -- record companies, artists, songwriters, and others -- to follow his lead to help ensure that we are able to preserve and make accessible recent and historical recordings at risk of loss."
The NRPF aims to help stem the flow of serious losses to America's unparalleled radio, music and recorded sound heritage. "Sound archives have reached a critical point in their history marked by the simultaneous rapid deterioration of unique original materials, the development of expensive and powerful new digital technologies, and the consequent decline of analog formats and media," explains board member and producer, engineer and educator George Massenburg. "It has long been clear to most sound archivists that our old analog-based preservation methods are no longer viable and that new strategies must be developed in the digital domain."
What will the Foundation work to preserve? "American music is one of our true national treasures," says board member Bob Santelli, the executive director of the Grammy Museum in Los Angeles. "Preserving our greatest recordings is both necessary to our identity and important for future generations as a source of inspiration and cultural knowledge."
But the scope is broader still. "The mission goes beyond music to include radio, broadcast, speeches, poets, spoken word, oral histories, field recordings - the very soundtrack of the nation," says board member and radio producer Davia Nelson. "The Foundation seeks to discover and preserve lost audio treasures as well as the most iconic of recordings that deserve another listen and share them with the public, to educate, entertain and delight," she adds, something she knows much about due to her ground-breaking work as one half of NPR's Kitchen Sisters.
By law and inclination, the Foundation intends to go beyond the archives, collections and libraries and into the lives of the population by making these treasures accessible to all. Education, research, preservation, pleasure, that is the mission at hand. It is a process made easier than ever before due to online tools and ubiquity.
The National Recording Preservation Foundation is the independent, nonprofit charitable corporation established by the U.S. Congress for the purpose of supporting archives, libraries, cultural institutions and others committed to preserving America's radio, music and recorded sound heritage. Where appropriate, it will also assist privately held collections and commercial archives that may have been damaged through the ravages of time or random acts of nature when those holding them cannot do so with their own resources. And, finally, it will help to further database and digitize vast and often hidden treasures - delivering them to the nation at large.
"Congress understood the need to preserve and protect our Nation's sound recordings when they created the National Recording Preservation Foundation," says John Simson, the Foundation's chairman and former director of Sound Exchange. "It is a crucial task at hand, working to identify collections of recordings that are at risk, that are in need of archival resources, that are in need of a home."
The NRPF is a private/public partnership, that works closely with the Library of Congress and its experts, and is dedicated to putting into practice the priorities and procedures of the National Recording Preservation Act of 2000 and the National Recording Preservation Plan(3). But it maintains an independence that lends it great flexibility in fund raising and the setting of priorities and practices. These are largely determined according to the broadest concerns of the preservation community at large and the guidelines of the Foundation's advisors and Board of Directors. It is therefore uniquely positioned to raise the necessary funds, marshal the expertise of skilled professionals, and reach out to the recorded sound community, collectors and archives to build support for preserving our nation's audio treasures.
The National Recording Preservation Foundation is operated by Gerald Seligman, executive director, with a board of directors that includes John Simson (Chairman), lawyer, past executive director Sound Exchange; T-Bone Burnett, musician, producer; Bruce Lundvall, president/CEO emeritus, Blue Note Label Group; George Massenburg, engineer, record producer, educator; Ricky Minor, musician, band leader for The Tonight Show with Jay Leno; Davia Nelson, radio producer, NPR's Kitchen Sisters; Jonathan Poneman, co-founder, Sub Pop Records; Bob Santelli, executive director, Grammy Museum; and Jack White, musician, producer, label owner.
The Foundation is a 501(c)(3) not-for-profit organization.
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